im sophia.
Visions

siceclub:

GRIMES :: OBLIVION

nevver:

In the mood…

nevver:

In the mood

colin-vian:

  George Clausen - The Village at Night, (c. 1903)

colin-vian:

  George Clausen - The Village at Night, (c. 1903)

heartwildopen:

basically

heartwildopen:

basically

“There’s no point to a guy yelling, “Hey sexy baby” at me out of the passenger window of a car as it speeds past. Even if I was into creepy misogynists and wanted to give him my number, I couldn’t. The car didn’t even slow down. But that’s okay, because he wasn’t actually hitting on me. The point wasn’t to proposition me or chat me up. The only point was to remind me, and all women, that our bodies are his to stare at, assess, comment on, even touch. “Hey sexy baby” is the first part of a sentence that finishes, “this is your daily message from the patriarchy, reminding you that your body is public property”.”

My First Name Ain’t Baby: ‘Hey Baby’ and Street Harassment (via androphilia)

drinktheantidote:

Photography by Nobuyoshi Araki

drinktheantidote:

Photography by Nobuyoshi Araki

nevver:

What we’re reading

nevver:

What we’re reading

 Joe Cruz illustrations

artist on tumblr

Joe Cruz is the master of oil pastel; his creations are an inspired mixture of photocopier toner lit up with oil strips of neon color. Unsurprisingly, his work is beautiful both online and in print.

Color is a surefire way to grab attention, but Cruz’s work goes far beyond simply grabbing attention. He manages to maintain contemplation in the viewer by experimenting with theme and composition.

oldbookillustrations:

Yet with a tinge of bitterness, 
She said “The more exceeds the less”

Peter Newell, from The hunting of the snark, by Lewis Carroll, New York, 1903.

(Source: archive.org)

oldbookillustrations:

Yet with a tinge of bitterness,
She said “The more exceeds the less”

Peter Newell, from The hunting of the snark, by Lewis Carroll, New York, 1903.

(Source: archive.org)